Eurovision first semi-final, Tuesday evening, Ukraine.
Three smartly suited young men, the introducers, follow their scripts. It’s
painful to watch. Old jokes, practiced reactions, false emotions, no belief, no
honesty, all things awkward. The acts on the other hand had more authenticity
and substance than usual suggesting a growing pan-European confidence in their
audience. But the introducers were: Well sometimes things are so bad they
become good again but they were so bad they went past good again back to bad
again. They screamed, or at least I did, ‘there is a life to be lived here,
don’t waste it in poor acting and hackneyed platitudes. Please deviate from
your script and become real!’ But who am I to talk. I slunk into my own
habitualities, dribble at the mouth with what I think might please, write a script
to navigate my vicissitudes and let gayety and pleasure pass untouched. I
wonder of the instances past where some meagre performance clamped shut such
opportunities. Comfort is so easily done. I mean I’m not one for poking fingers
up people’s noses, that sort of thing, but the simple uncluttered being of a
bouncing mind. That for me is spirit and from that spiritual, the process of
becoming uncluttered. Uncluttered by the tenets of the performing personality,
the mundane manager, of intruding voices; the art of half listening, of taking
note but never following. So the second semi’s Thursday and the final Saturday.
Lets hope the auto-cue brakes.
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