As Frankie Boyle reviewed 2017 and ushered in 2018 in his
own acidic fashion his audience laughed at every vividly painted dystopian
vision. It was as if a clown had taken over the rational of the circus, the
audience chuckling as the knife thrower splits his assistants skull, the
trapeze artists fail to grasp each other while booing in boredom the jugglers
skills. Are we to meet Armageddon with a smile? Have we built an imposition on
the earth too big to unravel? Well I suppose that is a form of joke. I mean too
big to fail is one thing but too big to stop is far more scary. Already our
million horsepower leviathan express, much like the Big Red Coca Cola
illuminated juggernaut, is circumventing the world so fast it’s leaving many
millions to struggle and starve beside its tracks. And of all the committees in
its cab not one has a steering wheel. It’s not that we don’t know, top to
bottom we know, it’s just, well all the pretty lights and it’s so red and
handsome. So we stand, gawp and laugh like the Christmas crowds in wonder
probably singing, “Oh we’re going to Dystopia”. I mean if one person had stood
up in Frankie Boyle’s audience and shouted, “Well I’m not fucking laughing!”
he’d probably have got stoned (as in stones) for ruining everybody’s evening.
Maybe it’s fight or flight. Maybe an antelope with two sets of claws in its
rump attached to a lion is, counter to our expectations, laughing at the
thought of it and shouting to his friends in the herd, “Big bugger, this one. Anyone
got a selfie stick?” and getting in response, “Nice on Steve. You keep larfing
mate. Sorry can’t help, Gordon’s scratching his arse and I’m doing the Misses.”
So here we are surrounded by a pride of misfortunes of, it has to be said, our
own making and jolly well making the best of it. Well not exactly making the
best of it, we’d have to stop laughing to do that.
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